There are authors who have made their bones by turning over the
rocks within the psyche, the ones that we keep our secrets buried
under, those truths about ourselves that we don't want to know about,
let alone the rest of the world. Stephen King is one. Cormac McCarthy
is another.
A third is Dennis Lehane. Lehane is generally considered to be
a mystery writer. King used to be considered a horror writer, until
he blew the door off of that genre; and McCarthy, for even less
good reason, used to be found in the westerns until he was "discovered"
by the mainstream. Lehane, in similar manner, is with each new novel
moving further and further away from a genre and into what we call
"literature." Actually, he is already there and has been there for
quite some time; it is just taking a while for the public perception
to catch up with him.
Lehane's new novel, MYSTIC RIVER, is a character study in the
clothing of a police procedural. We first meet the three principals
--- Sean Devine, Jimmy Marcus, and Dave Boyle --- in 1975. Their
friendship is a haphazard one, at best; Devine and Marcus are thrown
together on the weekends as a result of the acquaintanceship of
their fathers, and Boyle, a neighbor of Marcus, is more or less
just along for the ride.
When two men in a car approach the boys on a Saturday afternoon,
one of them gets into the car --- the other two do not. The lives
of all three boys are changed forever in ways that will continue
to unfold and will bring them unwillingly back together some 25
years later. Marcus is an ex-con who has gone straight and is now
the owner of a popular neighborhood grocery. Devine is a state homicide
detective. And Boyle...Boyle spends his time as a pretender to a
life of normalcy, all the while keeping urges that he fears and
does not understand at bay. When they meet again as adults, Marcus's
daughter has been murdered, and Devine, a state investigator, is
assigned to the case.
Old resentments and differences are immediately brought to the
forefront. Marcus, understandably, favors a rough and brutal justice
--- something that is accentuated by his violent criminal past.
Devine, his personal life falling apart and encroaching upon his
professional world, finds his past, which he thought he had left
behind, encroaching on the present. Boyle, meanwhile, comes home
covered in blood the night that Marcus's daughter dies. He tells
his wife that he was a victim of a mugging. She, however, is quick
to spot the flaws in his story, and slowly comes to fear that the
man that she sleeps with each night, the father of her child, may
be someone --- something --- far different than she ever imagined.
Again, MYSTIC RIVER is not a crime novel, except in perhaps the
most superficial sense, the same way in which CRIME AND PUNISHMENT
is superficially a police procedural novel. No, MYSTIC RIVER is
an account of people and neighborhoods in transition, of blue collar
workers left behind and crowded out and forgotten in the quiet upheaval
of American society at the close of the second millennium. It is
also a conundrum for the reader, who is swept along by Lehane's
powerful imagery while his prose deserves and demands to be savored
slowly and reread. And reread again. MYSTIC RIVER establishes Dennis
Lehane as one of the great modern voices of American literature,
a status that he has been building since his words were first printed
on paper. Highest possible recommendation.
--- Reviewed by Joe Hartlaub
You
can learn more about Dennis Lehane at dennislehanebooks.com