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Like millions of other Americans, Zack King has the worst job in the world. The hero of Jonathan Tropper's sparkling new romantic comedy EVERYTHING CHANGES, Zack is a corporate middleman in the big city, a cubicle prisoner, a man upon whom everyone can assess blame. And, like millions of Americans in call centers, financial giants, supply chain corporations, and "Office Space" cube farms, Zack hates his job.
He explains: "…we spend our days making three kinds of phone calls. We call our vendors to hound them about schedules and late deliveries; we call our clients to reassure them that everything is on schedule or to get blamed because it isn't; we call potential clients and kiss the asses of the people who will one day blame us for everything." And if that isn't enough drudgery to occupy a workday in hell, there is Zack's everyman, middleman boss. "The trick with Bill is to say as little as possible. He is notorious for his long-winded lectures on salesmanship, and you never know when a simple pleasantry might trigger a mini Dale Carnegie seminar. … he believes that there is no problem that can't be solved with a ten-minute PowerPoint presentation."
But the job is the least of Zack's problems. He's falling in love with his late friend's wife, Tamara, and out of love with his own fiancé, Hope; his struggling rock star brother is beginning a downward spiral; his roommate, Jed, the dot.com millionaire, has decided to drop out of life and just watch television; and Zack's estranged father is loose on the streets of New York with a fistful of Viagra. And there may be an even bigger problem. Enter the mysterious stranger: a Nike swoosh-shaped shadow on one of Zack's kidneys that just might be cancer.
Tropper, who wowed readers with THE BOOK OF JOE, treads hysterically familiar territory in EVERYTHING CHANGES with his theme of the neurotic, successful thirty-something leaving the city to return home to try to settle his problems. The author's musical narrative is vastly improved from his previously respectable efforts, his fresh, authoritative voice smoothly and seamlessly taking Zack on his wild journey. It is Tropper's vivid descriptions of office life, in-love-with-the-other-woman imagery, the looming loss of a good friend, Zack's Woody Allen internal dialogue, and his flamboyant vignettes that never fail to delight, keeping EVERYTHING CHANGES at a rapid-fire pace.
Zack, his engagement, his brother, friend, father, and mother, are all at stagnant points in their lives, points that only have the illusion of moving forward. It takes Norm King, the father everyone has learned not to tolerate, to skip into town with his trail of affairs and debts not far behind, to motivate those in Zack's world to face the truth, get up off the couch, evolve, and --- most importantly --- to forgive.
Tropper's latest effort is quite simply wonderful, wacky and big-hearted, Elton John wig and all.
--- Reviewed by Brandon M. Stickney
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