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Prologue
Mobile County Courthouse,
Mobile, Alabama, May 15, 1972
Detective Jacob Willow dodged a sign proclaiming die you dam murdrer, ducked another saying repent sinner! He shouldered past a pinched-faced preacher waving a Bible and squirmed between two agitated fat ladies in sweaty dresses. Breaking free of the mob surging in front of the courthouse, Willow bounded up the steps two at a time, tried three, tripped, went back to two. He flicked his cigarette into an urn at the door and stepped inside. The trial was upstairs and he ran those steps as well, dizzied when he reached the top. He peered around the corner into the hall leading to the courtroom, hoping he wouldn't see the Crying Woman.
Sure as sunrise, there she sat, twenty steps away on an oaken bench the size of a church pew, black dress, veil, elbows on her knees, face in her hands. Willow felt guilt curdle through his stomach. He turned his eyes from the Crying Woman.
Courthouse guard Windell Latham sat behind a folding table at the top of the stairs, a checkpoint for major trials. Latham was tipped back in a chair and trimming his nails with a deer knife, white crescents dappling the belly-stretched fabric of his uniform.
"See you're on your late-as-usual schedule, 'tective Willow," Latham said, barely looking up. "You gonna miss the sentencing you don't get inside that courtroom 'bout now."
Willow nodded toward the Crying Woman. "Doesn't she ever leave?"
Another crescent tumbled. "Should be gone after today, Willow. Won't be nothing to see no more."
Willow walked toward the courtroom on the balls of his feet, hoping she kept her head in her hands. He hated the feelings the Crying Woman sparked in him, though he had no idea who she was. Some said she was mother to one of Marsden Hexcamp's victims, others said sister or aunt; those asking questions or offering comfort were waved off like wasps.
The strange, thickly veiled woman quickly became invisible to the courthouse crowd, as familiar as the brass cuspidors or overflowing ashtrays. Never entering the courtroom during the three-week trial, she'd claimed the marble-columned halls as her parlor of grief, weeping from opening statements through last week's verdict of guilty. Believing her wounded by sorrow, the guards showed kindness, allowing the Crying Woman the run of the courthouse and occasional naps in an absent judge's chambers.
Willow took a deep breath and started to the courtroom doors, walking as light as hard-soled brogans allowed. Her head lifted as he passed, the veil askew. It was the first time Willow had seen the Crying Woman's face, and he was startled by her eyes: tearless and resolute. Equally surprising was her youth; she looked in her early twenties. He felt her eyes follow him to the door, as if riding his guilt into the courtroom.
He tried to rationalize his guilt --- most often in the hours preceding dawn --- telling himself he'd been an Alabama State Police detective for two years, lacking the experience to understand virulent madness powered by intellect. He reminded himself of scrapes with departmental majordomos, trying to convince them the seemingly random horrors occurring in southern Alabama were connected, that a full-scale investigation involving state, county, and Mobile city police was necessary. Like his entreaties to higher-ups, the rationalizations failed, and Willow's predawn sweats continued through the trial's daily revelations of the sexually bizarre and murderously horrific.
Willow nodded to the guard at the door, then slipped into the packed room. He excused and pardoned his way to his assigned seat in the gallery, directly behind the defense table. "All rise," the bailiff cried, and two hundred people in the courtroom rose like a single wave.
Only one person remained seated, a blond and slender man at the defense table, wearing jailhouse stripes with the élan of a man in a Savile Row suit. Marsden Hexcamp sat with his legs crossed, the upper bobbing to some lazy internal rhythm. An errant wisp of hair dangled down his forehead, drawing attention to his water-blue eyes. He turned his head to the gallery and smiled as if hearing the punch line of a lively joke. His eyes found Willow, and for a split second Hexcamp's smile wavered. The defense lawyer tapped Hexcamp's shoulder and waved in an upward motion, imploring his client to rise to the judge's entrance.
Marsden Hexcamp flicked his head sideways and spat into the lawyer's palm.
Willow saw the lawyer shiver with disgust and wipe his hand on his pants. No one else noticed this miniature drama, all other eyes watching Circuit Judge Harlan T. Penfield striding to the bench. Small in stature, Penfield compensated through a voice as deep as a country well and hawk-bright eyes blazing at any hint of misconduct. Penfield's eyes glared at Marsden Hexcamp, and the judge received a smile and lazy nod in return. Penfield slipped on half-lens reading glasses and unfolded a sheet of paper with his sentencing decision, a conclusion reached by the end of the first week of the trial.
"We gather today for the sentencing of Marsden Hexcamp," Penfield intoned. "And with it ends weeks of such revulsion and dismay that two jurors could not continue, one still hospitalized with a nervous condition. . . ."
Marsden Hexcamp's lawyer stood. "Your Honor, I do not think this is --- "
"Sit," commanded Judge Penfield. The lawyer sat, looking relieved to be finished with his role.
"The toll has not only been on the jurors," Penfield continued in his rolling bass, "but on all who have smelled the brimstone rising from Mr. Hexcamp like fog . . ."
Marsden Hexcamp mimed lifting a wineglass as if acknowledging a toast, the chains around his slender wrists ringing like chimes. Penfield paused, studied the defendant. "Your antics shall trouble this court no longer, Mr. Hexcamp. By the power vested in me by the great state of Alabama, I sentence you to be conducted to Holman prison, there, hopefully in record time, to receive the penalty of death by electrocution. And may God have mercy on whatever squirms inside you."
Penfield's gavel dropped as Marsden Hexcamp stood. He shrugged off his lawyer's hand.
"No last words for the condemned, Your Honor?"
"Sit, Mr. Hexcamp."
"Am I not entitled? Does not sure and impending death allow a few final phrases?"
"Did you allow your victims a final say, Mr. Hexcamp?"
Marsden Hexcamp paused and thought. Amusement flitted across his face. "Some of them spoke volumes, Your Honor."
"Bastard!" A coarse-faced man in the gallery stood and waved his fist. He appeared drunk.
"Sit and behave, sir, or be removed," Penfield said, almost gently. The man dropped to his seat, sunk his face into his hands.
Hexcamp said, "Well, Your Honor? May I speak?"
Willow saw Judge Penfield's eyes sweep the expectant faces in the crowd, pause on reporters aching to record the final public words of Marsden Hexcamp. Penfield tapped his watch.
"I'll grant you thirty seconds, Mr. Hexcamp. I suggest a prayer for salvation."
Hexcamp's smile flattened. His eyes lit like flares. "Salvation is the province of fools, Judge. A vacant lot in empty minds. What counts is not where we go, but what we create while in the world's humble studio . . ."
"Murderer!" a woman screamed from the gallery.
"Madman!" called another.
Penfield pounded his gavel. "Silence! Ten seconds, Mr. Hexcamp."
Hexcamp turned to the gallery. His eyes found Willow, held for a beat, returned to the judge. "It's the art of our lives that endures --- moments captured like spiders in amber. But magically able to crawl. To bite. To influence . . ."
"Five seconds." Penfield dramatically stifled a yawn. Hexcamp's face reddened at the slight.
"YOU are a WORM," Hexcamp screamed at Penfield. "A wretched, despicable creature, a mere nothing, less than nothing, a vile insect risen in contempt against the majesty of ART!"
"Time's up, Mr. Hexcamp," Penfield said. "Never let it be said you were at a loss for words."
Marsden Hexcamp angled an eye at the judge. Then, agile as a gymnast, he leapt atop the defense table. "L'art du moment final," he howled, spittle flying. "C'est moi! C'est moi! C'est moi!"
The art of the final moment, Willow thought, two years of high school French kicking in. It is me.
"Guards, seat that man," Penfield said. His gavel again rang from the sounding block.
A motion behind Penfield caught Willow's eye. He watched the door of the judge's chambers open slowly, saw the desk, bookshelves, low table --- and then, framed in the doorway, the Crying Woman. She strode into the room and stopped at Hexcamp's feet, the crowd gasping. A large-bore pistol appeared from the folds of her dress. The weapon lifted, her finger tightening on the trigger.
She was crying again. She looked into Marsden Hexcamp's eyes.
Said, "I love you."
Willow dove across the railing, arms stretching for the gun. His foot caught the wood and he tumbled to the floor below the defense table. Thunder filled the room. Hexcamp's shirtfront gained a red button the size of a dime, but the back of his shirt exploded. He crumpled to the floor, landing supine beside Willow. Spectators hugged the floor or jammed at the doorway, screaming.
Marsden Hexcamp lifted his head and moaned, his lips forming words. Willow laid his ear over the man's lips, listened. Hexcamp's eyes closed and his head slumped. "Stay with me," Willow yelled. He grabbed the man's shirt and shook, as if freeing words trapped in Hexcamp's throat. Hexcamp's eyes snapped open.
"Follow, Jacob. You've got to follow . . ." A scarlet bubble escaped his lips. "You . . . have to . . . follow . . ."
"What?" Willow yelled into Hexcamp's glazing eyes. "FOLLOW WHAT?"
Marsden Hexcamp's eyelids fluttered, then opened. "The art, Jacob," he said, the blood now a red foam crawling down his chin. "Follow the . . . glorious art."
Hexcamp's eyes became wax, his mouth a frozen rictus. Willow heard a second roar of self-inflicted thunder. A body dropped to the floor six feet away. The Crying Woman became the Dying Woman.
Chapter 1
Mobile, Alabama; present time
"Awards are dumb," Harry Nautilus said, aiming the big blue Crown Victoria away from the headquarters of the Mobile Police Department. "No good ever comes of stuff like this."
"Lighten up, Harry," I said, tightening my tie in the rearview mirror. "We're the mayor's Officers of the Year."
"And I'm the state bird of Alabama. Tweet."
"It's an honor," I reasoned.
"It's a pain in the ass. And it ain't nothing but a politician's words."
"At least we'll get a free breakfast." I checked my watch; we had an easy twenty minutes to get to the hotel where the mayor's Recognition Breakfast was being held. I'd already cleared a space on my ersatz wall at work, a gray divider. I'd never had an award before.
"You think I should mention the folks at Forensics?" I said, holding out my arms and wondering if my navy blazer had shrunk since the last wearing, or if I was still growing at age thirty-one.
"What are you talking about, Carson?"
"My acceptance speech."
Harry growled, a low bass note. Government Street was under construction ahead, so we cut through the south edge of downtown, a poorer neighborhood of small houses and apartments. I was buffing my nails on my pants when a woman exploded into the street from an alley, arms waving, pink robe flying behind like a horseman's cape. She launched herself in front of the car.
Two hundred and forty pounds of Harry Nautilus stood on the brakes. The robed woman held up her hands as if that would ward off a two-ton car. Tires squealed. The Crown Vic fishtailed. Our bumper stopped three inches shy of the woman's knees.
"They's a dead woman in that alley," the woman panted, clutching at her robe. She was in her thirties, skinny as rope, an Appalachian twang in her voice. "Got blood all up underneath her."
I called it into the dispatcher as Harry turned into the alley. A woman's body sprawled facedown on the concrete, arms above her head. Her blouse was white, and I saw a crimson smear in the upper center of her back. Fearful of tainting evidence, we stopped the car short and sprinted to the body. We always ran, praying fast response and CPR might make a difference.
Not this time. Seeing the amount of blood loss, Harry stopped running and so did I. We walked the last few steps gingerly, careful of the flood of red on the pavement. The blood was congealing, and I figured the killer long gone. Sirens wailed in the distance. Harry knelt beside the body while I studied the scene: shattered glass, strewn trash, and other detritus of an inner-city alley. The concrete was bordered by dilapidated garages. Grass between them was yellow from scant rain. A bright object caught my eye. A plump orange nestled against a slumping garage twenty or so feet from the woman's outstretched hand.
Another Crown Victoria entered the alley from the opposite direction, followed by a patrol car and ambulance. Detectives Roy Trent and Clay Bridges exited the Crown Vic. This was their territory, District Two. Harry and I were District One ninety-nine percent of the time, part of a special unit the other one percent.
We gave Trent and Bridges a three-line synopsis of what we knew. Bridges took the woman in the robe aside to calm her for questioning. Trent walked to the body, looked down. He ran heavy hands through thinning hair.
"Damn. It's the Orange Lady."
"Orange Lady?" I said.
"Name's Nancy something. Lives in a group home a block over. Every morning she goes to the market and gets herself an orange. One orange. Does the same thing every night. I asked once why she didn't get two oranges in the morning, or buy a bag. Know what she said?"
"What?"
"The oranges liked being at the store because they got to watch people. At her place they'd just see the inside of the refrigerator."
Harry said, "This group home's for folks with mental problems, I take it."
Trent nodded. "Harmless types who need a little help getting by. Nancy might have been a little disjointed in her thinking, but she was always happy, chattering at people, singing songs in French, whatever."
"There's the morning orange," I said, pointing it out. I crouched and looked between the woman and the orange, then dropped flat to my stomach, eyeballing the topography and noting the drain grate in the middle of the alley.
"You need water to swim, Cars," Trent said.
"And momentum to roll," I added, standing and brushing gravel from my palms and jacket. Trent studied the body, shook his head. "Who'd shoot her dead while she was standing in an alley?"
"Running in the alley," I suggested.
Trent raised an eyebrow.
"The orange is about twenty feet away. Slightly uphill. If she'd been standing or walking, the orange might have rolled a few feet. But the other way, toward the center of the alley. It's concave for drainage. The shot knocked her forward, of course. But I think it took added momentum for the orange to travel that far. Forensics'll do the math, but I'd bet a couple bucks she was running full tilt."
Trent thought a moment. "If she was running, she knew she was in danger; recognized the perp, probably." He started to the patrol car to get the uniformed guys cordoning off the scene, then paused.
"Hey, did I hear the mayor's making you guys Officers of the Year?"
"It's just a rumor," Harry said.
Trent grinned. "Officers of the Year doesn't quite cut it for you two. How about the Grand Pooh-bahs of Piss-it?"
Piss-it was departmental slang for the PSIT, or Psychopathological and Sociopathological Investigative Team, a specialty unit with a name longer than its roster: Harry and me. It was the one percent of our jobs.
Harry sighed. "Don't start, Roy."
Trent thought a moment. "Or how about the Wizards of Weirdness?" He chuckled and started to invent another title, saw the look in Harry's eyes, remembered his business with the patrol guys, and retreated.
Our bit part in a too-familiar drama over, Harry and I climbed back into the car. The Orange Lady's case would be cleared fast, we figured; the poor woman had pissed someone off, and he or she had gotten revenge. Backshooting a fleeing woman in broad daylight was irrational, an act of emotion, not brains. Trent and Bridges would check the victim's acquaintances, find who she'd recently irritated. Nail the case shut.
Bang. Just like that.
The awards ceremony was at a downtown hotel. By the time we arrived, only carafes of tepid coffee remained on the banquet tables. Harry and I slipped to our table and nodded apologies. At the dais centering the front of the large, low-ceilinged room, an overdressed woman from the Sanitation Department clutched a plaque to her bosom, uttering immortal words about landfills.
" . . . like to thank all the microbial organisms who work so hard at breaking down organic waste materials . . ."
Mayor Lyle Edmunds stood beside her, a frozen smile on his ruddy face. The sanitation woman finished her soliloquy and padded back to her table. The mayor regained the microphone, but no words came from the sound system. He tapped the mike with a finger, was rewarded with a screech of feedback. Two hundred faces winced, mine included. The mayor leaned forward, tried again.
" --- esting. Testing. This thing working again? All right. Once again I'd like to thank y'all for coming today, my chance to honor folks who've made a difference in the quality of life in the beautiful Port City, a year which this administration also made a difference by . . ."
Most members of our table watched the dais, obliged to appear transfixed by the mayor's oratory. At the head of the table --- if a round table can have a head --- was Chief of Police Burston Plackett. Plackett was flanked by four other members of the police brass. The lower-rent side of the table was Lieutenant Tom Mason, Harry, and me.
The mayor wound down. He studied the table of awards beside him, lifted a pair of plaques.
"Two awards; it's us," I whispered to Harry. "What should I say in my acceptance speech?"
"Let the mayor handle the speeching and preaching, Carson. Just grab the wood and beat your feet back to the table." Harry frowned at me. The frown said don't go near the microphone.
The mayor tapped the mike again, leaned into it. "My next award goes to the Mobile Police Officer of the Year. This year I'm proud to recognize a team effort: two members of Mobile's finest, instrumental in tracking down the morgue killer a while back, as well as Joel Adrian a couple of years ago. Together, Detectives Nautilus and Ryder form a special team known as the PSIT, or Psychopatho . . . ological and Socio . . . socio . . . sociolo . . . doggone, that's a mouthful. Let me just say that these two fine gentlemen are living proof that no city surpasses Mobile in the quality of its . . ."
The mayor soared off on another flight of political self-indulgence, spurred by the media. They huddled to the side --- reporters, videographers, and a photographer from the Mobile Register. I saw the reporter from Channel 14 staring at me. When I stared back, she smiled and turned her gaze to the mayor. I recalled her name as DeeDee Danbury. Trim, blond, medium height, somewhat outsize features, eyes especially. When Harry and I'd been in the brief glare of camera lights, Danbury had the voice closest to my ear and microphone closest to my face. I didn't much care for either effect.
Two minutes of humid ventings later, the mayor looked around the room, saw the slender white guy sitting beside the big, square-shouldered black guy.
"I'd like to introduce Detectives Harry Nautilus and Carson Ryder. Come receive your awards, officers."
Applause rang out. I followed Harry's mustard-yellow suit to the dais. His shirt was lavender, his tie red. Harry liked color, but that didn't make him good at it. We stepped up, shook the mayor's hand, took our awards. Someone yelled, "Hold for a photo." I angled my head, steeled my jaw, and did my best Serious Crimefighter pose. Cameras flashed. I tucked my plaque against my side and started from the dais. The microphone floated in front of my face and despite Harry's admonition I couldn't resist leaning in for a few words.
"First off, I'd like to thank the Academy . . ."
The microphone squealed like chisels on sheet metal. Everyone winced, several people ducked. In the center of the room a startled waiter dropped a full tray of dishes, china shards skittering across the floor. Harry growled and jabbed his thumb into my kidney, propelling me from the dais and my moment of glory.
Chapter 2
The photo taken at the mayor's bash ran the following day, Tuesday. I was off rotation and didn't see the photograph until Wednesday, coming in early to whittle at paperwork. Some wag had taped the clipped-out photo to my chair, attaching a Post-it on which was scrawled super detective to the rescue.
In the photo, Harry and I clutched our plaques, the mayor between us. Harry had a wisp of a smile beneath his bulldozer-blade mustache. My Serious Crimefighter pose made me look like a cross between Cotton Mather and Dudley Do-Right. I shook my head, made a mental note to never accept an award again, and read the text.
OFFICERS OF THE YEAR HONORED --- Mayor Lyle Edmunds presents Mobile Police detectives Harry Nautilus (left) and Carson Ryder (right) with Officers of the Year awards at the mayor's annual Recognition Breakfast. Nautilus and Ryder are members of the MPD's elite Psychopathological and Sociopathological Investigative Team, or PSIT, and are considered authorities in the area of serial killers and other psychologically deranged . . .
"What you think? They get your good side?" said a molasses-slow voice from behind me. I turned to see Tom Mason smiling, or as close as his crepe-wrinkled face ever managed. "Interesting expression you got, Carson. Intense, I guess you'd call it."
I felt my face redden like a schoolkid caught with a girlie mag and flipped the clipping on the desk. Tom said, "We just got a 911 about a body in a motel, the Cozy Cabins. I think it's got a little weird to it, maybe more than a little. I just got hold of Harry. He's heading that way now."
I stood, reached for my sport jacket. "Weird how, Tom?"
"Caller wasn't speaking real good English; I'll let you see for yourself. Medical examiner's there, Forensics is on the way. I told everybody not to worry because I was sending the Officers of the Year. You can bet they got a kick out of that one."
The Cozy Cabins was a fading motel comprised of a dozen small units spread across four or five tree-shaded acres. Back in the seventies it had probably been charming, but the city's sprawl and clutter had metastasized, the units now surrounded by strip malls and bars and "We Carry Your Note" car lots. These days the Cozy Cabins mainly catered to trysting couples, or johns wanting to take their rented partners somewhere a little nicer than the backseat. I swung into the drive and saw Harry walking into the front cabin, a neon office sign in the window. I hit the horn. Harry paused in the doorway, turned.
I yelled, "What's up?"
Harry shook his head as if words were insufficient, pointed to the farthest cabin, and stepped inside the office. I drove back to the unit. Parked outside were ME and Forensics vehicles, plus a patrol car, Officer Leighton Withrow leaning against the fender and patting sweat from his bald head with a handkerchief. I pulled behind Withrow and got out. The day was a scorcher and my first non-air-conditioned breath about dropped me to my knees.
"What's up, Leighton?" I gasped.
He nodded toward the cabin. "You better git inside quick, Ryder. They're about to sing 'Happy Birthday.'"
"Happy Birthday?"
Withrow turned to watch the traffic on the highway, like it amused him. I walked to the unit, maybe twenty feet square, stucco, needing paint. Forensics supervisor Wayne Hembree stood in the doorway, his back to me. Hembree was a balding thirty-six-year-old black man with less meat on his bones than a race-bred greyhound. He turned to the sound of my footfalls, a sad smile on his moon-round face.
"Stuff like this makes it tough for me to eat by candlelight," he said, stepping aside so I could peek into the room.
Candles. Dozens of them. On the floor, on the scruffy furniture, atop the bolted-down television. Tubular candles, square candles, octagonal candles, triangles. Some were scented, and an olfactory collage thickened the air. Smaller candles had burned to pools of wax, while the bulk of them, larger and thicker, were topped by shivers of flame, bright points in the shadowed room.
A dozen feet away, centered on the red bedcover, a woman's naked body lay covered with wilted flowers. Her eyes were huge and white and poured from the sockets, tiny wormlike pupils in the center.
"Jesus," I whispered, wondering if her eyes had somehow liquefied. Stepping closer, the horrendous effect was revealed as melted-down white candles over her eyelids, the sockets overflowing with wax, burnt wicks forming her pupils. The wicks stared at me. Her lipstick-smeared mouth sagged open and seemed to be asking Why Me? Hembree passed the camera to a Forensics tech, nodded for me to follow, and walked to the body between candles, moving as carefully as a man treading barefoot among glass.
Her hands crossed over her breastbone, barely visible beneath the roses and lilies and other flowers I couldn't identify. Cheap rings encircled both thumbs and most of her fingers. In contrast, her dark brown hair was short, conservative, clean; at odds with the rest of her. Wax drippings clung to her hair like petrified tears. Abrasions encircling the woman's neck suggested ligature strangulation, an angry red collar. There were no other apparent marks or signs of struggle. I smelled rot rising through the sweetness of the flowers. When we return to dust, it's not a pretty transformation.
Hembree looked at me. "What age you put her at, Carson?"
"I'll say late thirties, early forties."
The Forensics tech pressed an invisible button in the air, made a game-show buzzer sound. "Bzzzzt. Wrong answer. Try fifty. At least." He bent over the body and palpated a bicep. "Good condition, physically, muscle tone is balancing out the aging. Or was. How many fifty-year-old hookers you see with muscle tone like that?"
I made a zero with my thumb and forefinger. Most street girls never made fifty, and if they did, looked eighty. I knelt at the bedside and took the woman's hand from Hembree. "Working hands," I noted, calluses across palm and fingers. "Outside work, and I don't mean pounding pavement. Check the rings."
I slid a couple of bucks' worth of potmetal and glass up the victim's digit. "Dime-store crap," I said. "If she'd worn it any length of time there'd be discoloration."
"Strange designs," Hembree said. "Some kind of knot on the one, a sword on the other. A moon over here."
"She's got a toe ring," I said. "Pentacle motif."
"Satanic? Goth?" Hembree lifted the hair behind the victim's ear. "Found an identifying feature here, Carson."
I saw a birthmark near the base of her neck, a small splash of claret across the skin. Hembree shined the penlight into the creases at the back of the woman's neck. Ruddy lines stood in the folds, like pen strokes made with rust.
"Look down here," he said, aiming the light at the crook of an arm.
"More of the same," I said. "What's the tint from?"
"Nothing's certain until we get it to the lab." Hembree wasn't big on guessing and having to later recant, though his accuracy made take-backs rare. I'd heard that voice before; he had a conjecture.
"Come on, Bree, give it out." I mock-punched his vermicelli bicep. "I won't hold you to it. What are you thinking?"
He kept the penlight on the woman's arm, studying. "I'm thinking the perfect Officer of the Year wouldn't be such a pain in the ass."
"Maid find body," Cozy Cabins manager Saleem Hakkam was telling Harry when I opened the office door to a small room filled with smoke. "Maid scream into office, I drop coffee on floor, call 911. Much scream, maid."
Hakkam stood behind a chipped Formica counter sucking a filterless cigarette that smelled like burning shoeshine rags, occasionally tipping ashes into a Dr Pepper can on the counter. The portly Hakkam held the cigarette tightly with three fingers, like he was afraid it would get away.
"Can we speak to her?" Harry asked.
Hakkam took a deep drag. "Maid scream. Jump in car, drive. Scream down street." His words came out punctuated by smoke.
"When will she be back?"
Hakkam shook his head sadly. "Scream like that, no come back."
"Who rented the room, Mr. Hakkam?" Harry asked. "They come in and register?"
Hakkam looked away. Harry sighed, seeing the picture. "Mr. Hakkam, you're not in any trouble here. Unless you lie to me."
Hakkam's eyes blinked warily through smoke. "No lie at police. Phone call come yesterday afternoon. Want to rent cabin for Tuesday night."
We'd both seen this before. "And you don't know who rented the place?"
"No see. Come in late."
"Payment?" Harry asked.
"Caller say money in mailbox. I look. Money there. Caller say leave door open, key inside on table. The money good, why not do?"
"You see the vehicle?"
"No."
"You have the envelope the money came in?"
"Burn with trash."
"The caller --- male or female?"
Hakkam shook his head and put his hand at forehead level. "Voice not up here like woman. . . ." Then dropped it to his groin. "Not down here like man. In middle." He shrugged. I suspected the caller had muffled his or her voice.
Harry said, "How much money did you get paid, Mr. Hakkam?"
"Five hundred dollar."
"About ten times the going rate. You figured a dope deal, right? Drugs?"
Hakkam averted his eyes and sucked another chestful of greasy smoke. I figured his lungs looked like bags of mud.
"Job is rent cabins, not ask people's business."
He frowned, took one final hit, and dropped the tar-soaked butt in the can. It hissed and died, a curl of brown smoke issuing from the opening, like the damned thing didn't want to give up.
We walked back to the cabin under tall longleaf pines, the shade meaningless in the heat. The conversation with Hakkam wasn't unusual in a failing neighborhood. Business was lousy, and he'd happily rented to someone paying a premium for privacy --- dope dealers wrapping or distributing product, porn types taping a bottom-drawer flick. Hakkam did exactly as asked, hoping for repeat business.
We turned the corner to the front of the cabin. Harry froze, grabbed the back of my jacket, and yanked me to a halt.
"Buzzards," he said, pointing around the corner. "Pooling and drooling."
Harry had a rhyming tendency, though some days I'd call it an affliction. In the six years of our friendship, I'd learned to decipher half of what he said. But I'd seen these buzzards before. I peeked around the corner for confirmation.
Reporters.
Kept from the cabin by Leighton Withrow, they clustered near the entrance, alerted by police-frequency scanners, or some vestigial instinct that drew them to tragedy like june bugs to a screen door. There were a couple of television stations and radio outlets, a brace of print reporters.
Harry nodded dolefully. "I see Cunt and Funt from Channel 14 out there."
I gave Harry the raised eyebrow. While far from politically correct, Harry wasn't fond of pejorative classifications. "Uh, who?" I asked.
"DeeDee Danbury from Channel 14, she's uh, the C-word lady. There's some squirrelly little camera guy usually with her; he's Funt. It's what they're called over at City Hall. By some folks, leastwise."
"Funt? That's the camera guy's real name?"
Harry peered around the corner again. "Used to be a TV show called Candid Camera. Folks'd go to stick mail in a box and suddenly a hand reaches out and grabs it, that kind of cheesy schtick. All the time the scene's being shot from a hidden camera. The guy who thought up the show was named Funt."
"The Channel 14 camera guy hides in mailboxes?"
"The way they work is Cu --- I mean, Danbury --- zings in questions hoping to catch folks off guard, Funt shoots pictures of their confusion."
"How come you know this Danbury so well? You start watching TV?" Harry was the original Music Man, vinyls of old blues and jazz spreading through his house. He'd only recently --- and grudgingly --- started collecting CDs. The last time I saw Harry's television, a ten-inch black-and-white, it was a doorstop.
"She jammed me up three-four years back. I let slip a dead body was a heavyweight dope boy, tried to suck it back a minute later. She said OK, then later that night I hear the name on the news."
"And?"
"What I didn't know was DEA had a lock on this guy, tracking a shipment to him from Colombia. When it hit the airwaves the guy was toast, the runners dove underground. Without the coverage, the shipment would have sailed into the arms of the feds."
I winced. "Ouch."
"I about got assigned to traffic control at tractor pulls," Harry said, peeking around the corner. "Still can't look at that woman without my teeth grinding. OK, Carson, let's run it and gun it."
We came around the corner moving fast. The reporters dove at us the second we hit their sights. "Who's in there?" "No comment." "Was it a robbery?" "No comment." "Any ideas on motive?" "No comment."
We ran the gauntlet with heads lowered; eye contact increased their frenzy, blood to a shark. Answering questions wasn't our bailiwick anyway; the department had flacks to make up crap by the bargeload --- we always had our hands full dealing with the truth. "Is this a PSIT case, Detective Ryder? Is that why you and Detective Nautilus are here?" The last question caught me. I turned to the foam bulb of a microphone two feet distant. Behind it, big gray eyes highlighted a longish but compelling face framed in ash-blond hair, Channel 14 reporter DeeDee Danbury. My feet stopped moving until I felt the nudge in my kidneys.
"Tell her no, for chrissakes," Harry whispered.
"No," I parroted.
She raised an eyebrow. "But aren't you two out of your regular district?"
Harry pushed me into the cabin. Hembree was watching the medical examiner's folks extricate the candles from the woman's eyes. He held up an evidence bag, several ruddy particles inside it. "Found these in the victim's hair. Similar to the substance in her neck and arm creases. Also found some under her fingernails and in her navel."
Hembree's tone was odd. I looked from side to side; no one but me and Harry were in earshot. "Come on, Bree, no one's listening. What are you thinking about?"
"Zombies," he whispered, an enigmatic smile on his face.
Excerpted from THE DEATH COLLECTORS © Copyright 2005 by Jack Kerley. Reprinted with permission by Dutton Adult, an imprint of Penguin Group (USA). All rights reserved.
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