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Alec Guinness's career spanned generations. Great-grandparents might recall his days on the British stage. Grandparents may have seen such classics as The Bridge on the River Kwai and Lawrence of Arabia. Younger cinemaphiles still picture him as Obi Wan Kenobi in Star Wars.
Like most actors, Guinness had more than his share of success with a few clinkers thrown in. Piers Paul Read reveals the enormity of his life's work, along with a massive account of Sir Alec's personal side, in ALEC GUINNESS: The Authorised Biography.
Read, author of more than a dozen books, has done a huge amount of research, culling letters and journals from Guinness and his extended Guinness family, as well as a large circle of friends and acquaintances, to produce an intimate portrait of one of the greatest actors --- along with fellow Englishmen Olivier and Gielgud --- of stage, screen and television.
Guinness came from humble roots. His mother was an alcoholic who never married his father and became an embarrassment to the celebrity as he grew older. It was a stigma that no doubt weighed heavily on him as a young man and beyond, and formed his persona. He was at the same time generous and tight with his money, easily offended but quick to make friends. These paradoxes form the main theme for ALEC GUINNESS.
He found a soul mate in his wife, Merula, to whom he would be married for more than forty years, but once their son, Matthew, was born, their conjugal relationship was non-existent. Nevertheless, she was the perfect partner, casting a blind eye to his moodiness and confusing behavior, especially when it came to Guinness's "infatuations" with pretty young men.
Read is very careful in his phraseology, employing language such as "While there is no evidence whatsoever of a sexual relationship between Alex and this, or indeed, any other man..." and "The exact nature of Alec's sexuality, however, is not at all clear." Such refusal on the part of the author to take a stand can be infuriating, since so much of this psycho-biography is devoted to Guinness's "leanings."
Perhaps as a method to fight his demons, the actor sought refuge in religion, converting to Catholicism and putting great stock in his friendships with priests and nuns. A significant portion of the book flips back and forth between the sacred and the profane, so to speak, with Read reporting dozens of instances of behavior that can only be viewed as questionable, despite the fact that Guinness does not seem to have ever acted on his confusing urges. "It would seem...that Alec felt disordered passions could be controlled, if not cured, by prayer, repentance and the Grace of God. Yet he was never able to detach himself altogether from his homosexual alter-ego."
As can be expected from books of this type, the author covers the major accomplishments in his subject's life, for which movie fans can be grateful. The details can get a bit much; the book no doubt could have been shorter than its 600-plus pages but no less interesting had Read omitted copious recounts of how much Guinness spent on hotel rooms or lunches.
Ultimately, ALEC GUINNESS is a sad book. One has the feeling that between the sexual situation, concerns over finances, and relationships with family and friends --- and despite all of the artistic accomplishments --- Sir Alec was rarely truly happy. Read makes us actually feel sorry for the legendary actor.
--- Reviewed by Ron Kaplan (RonK23@aol.com)
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