For the past two decades, Rocky has looked forward to her family’s yearly escape to Cape Cod. Their humble beach-town rental has been the site of sweet memories, sunny days, great meals and messes of all kinds. This year’s vacation, with Rocky sandwiched between her half-grown kids and fully aging parents, promises to be just as delightful as summers past --- except, perhaps, for Rocky’s hormonal bouts of rage and melancholy. (Hello, menopause!) Her body is changing; her life is, too. And then a chain of events sends her into the past, reliving both the tenderness and sorrow of a handful of long-ago summers. And when Rocky comes face to face with her family’s history and future, she is forced to accept that she can no longer hide her secrets from the people she loves.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fan base. Three decades later, Hollywood is pushing for a big-budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. Still, he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors and surreal fan conventions --- demons of the past be damned. But at what cost?

Martha Ratliff conceded long ago that she’d likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger. A year in and the marriage was good, except for that strange blood streak on the back of one of his shirts he’d worn to a conference in Denver. Her curiosity turning to suspicion, Martha investigates the cities Alan visited over the past year and uncovers a disturbing pattern --- five unsolved cases of murdered women. Is she married to a serial killer? Or could it merely be a coincidence?

During her 20s, Francine Prose lived in San Francisco, where she began an intense and strange relationship with Tony Russo, who had been indicted and tried for working with Daniel Ellsberg to leak the Pentagon papers. The narrative is framed around the nights she spent with Russo driving manically around San Francisco, listening to his stories --- and the disturbing and dramatic end of that relationship in New York. What happens to them mirrors the events and preoccupations of that historical moment: the Vietnam War, drugs, women's liberation, the Patty Hearst kidnapping. At once heartfelt and ironic, funny and sad, personal and political, 1974 provides an insightful look at how Francine Prose became a writer and an artist during a time when the country, too, was shaping its identity.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of 22, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries. When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

In a Tennessee prison, Efrem Judah Goode draws haunting portraits of women he claims he has killed. Around the country, desperate families of the missing seek answers in his eerie drawings. And on darkened back roads and New York City streets, a new killer poses duct-taped bodies at the sites of Goode’s murders. Two serial killers are locked in a twisted rivalry. To stop the brutal slayings, FBI profiler Caitlin Hendrix must unravel the connection between Goode and the Broken Heart Killer. Their warped competition destroys anyone in their path. Caught between a manipulative psychopath and a ruthless UNSUB, Caitlin has to dive into not one but two dark and twisted minds. She will risk everything, plunging into the depths of their depraved clash, to hunt down an unstoppable killer.

Emlyn doesn't let herself think about the past. How she and her best friend, Janessa, barely speak anymore. How Tyler, the love of her life, left her half dead on the side of the road three years ago. She now lives alone in her Airstream trailer and works as a fishing and hunting guide in scenic Idaho. Her closest friends are the community's makeshift reverend and a handsome Forest Service ranger. But when Tyler shows up with the news that Janessa is missing, Emlyn is propelled back into the world she worked so hard to forget. As Emlyn and Tyler trace Janessa's path through miles of wild country, Emlyn can't deny the chemistry still crackling between them. But the deeper they press into the wilderness, the more she begins to suspect that a darker truth lies in the woods --- and that Janessa isn't the only one in danger.

A VIEW FROM THE STARS features a range of short works from the past three decades of New York Times bestselling author Cixin Liu's prolific career, putting his nonfiction essays and short stories side-by-side for the first time. This collection includes essays and interviews that shed light on Liu's experiences as a reader, writer and lover of science fiction throughout his life, as well as short fiction that gives glimpses into the evolution of his imaginative voice over the years.