When Julia Barlow loses her job and her apartment, she has nowhere left to go but Pemberton, her family's sprawling 17th-century estate in rural Massachusetts. Officially, she's there to check in on her aging grandmother. Unofficially, she's hoping the old house will give her a place to disappear. Instead, Pemberton begins to unravel her. Every night, the grandfather clock stops at exactly 3:41am. The lights flicker without warning. And a disembodied voice cries for help outside Julia's bedroom door. As Julia digs into the house's dark history, she uncovers the story of a woman executed for witchcraft in 1692 --- and realizes the past may not be finished with Pemberton yet. 

Detective Tracy Crosswhite is assigned to defend an old friend. Sheriff Jenny Almond has been charged with first-degree murder for shooting an unarmed veteran on a stormy night of confusion, paranoia and split-second choices. Tracy is certain there’s more to the story of Anthony Alvarez’s killing --- and her investigation draws her back to a cold case that still haunts the community. More than 40 years ago, Alvarez was the prime suspect in the unsolved disappearance of a teenage babysitter. The lead investigator, Jenny’s late father Buzz Almond, always believed Alvarez had been framed. Decades later, his suspicions of a conspiracy are driving Tracy to find answers.

Centuries from now, at the dawn of a historical epoch filled with both uncertainty and promise, an orphan is adrift in a city on the brink of a great transformation. The state has been dismantled, and humans are reinventing social bonds and learning new ways to coexist with nature. Following a childhood defined by loss, survival and found family, the orphan grows up to become a “pincher,” someone who steals electricity from the grid to sell it on the black market. It’s a high-risk life, one that brings her into a rich art and music scene where she powers underground concerts. It also leads her to a colossal scientific invention that could change the very fabric of reality.

When author Nicholas Child is dropped by his publisher, his agent sends him to spend the holidays at the Cape Cod mansion of her other client, Marco Tavares. Marco needs to finish the long-overdue follow-up to his bestselling novel, and Nicholas is going to help him. But when Nicholas arrives at Marco’s sprawling seaside estate, he finds himself in the middle of a gathering where holiday cheer is in short supply --- and every visitor seems to have a motive to kill their host. The most intriguing guest is James Beers, a writer who believes that Marco’s bestselling novel was based on one of his ideas. As Christmas Day approaches, a single boozy night culminates in two corpses, and Nicholas becomes convinced that the whole thing was a setup from the start.

In these stories spanning six centuries, we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th-century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans, we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina, and her great love, William, on the march in Tennessee. The title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.

When 18-year-old Christian Shaw is found dead in a park, the city of Edinburgh is stunned. The shock only deepens when police charge her best friends, Eliza Lawson and Isobel Smyth, with the murder. Rumors of bullying are overshadowed by something more wicked and frightening: whispers of dark rituals, feverish obsession, and a teenage pact gone wrong. Matthew Phillips is a respected heart surgeon picked for the jury. As the trial unfolds --- and the girls’ lawyers offer a surprising and unsettling defense --- the reluctant Matthew finds himself questioning everything: the motives, the evidence, even his own judgment. Then he begins to have strange visions of terrifying things --- hallucinations he tells himself. After all, witchcraft isn’t real. Or is it?

Jamie Newcross wants to disappear. His wife and baby girl have abandoned him, and his only wish is to retreat from society. As it turns out, Jamie is also being haunted. Every house, condo or apartment he moves into is plagued with ghosts. But Jamie has a plan. He posts queries online and finds someone wanting to get rid of their Lion --- the world’s most advanced self-driving car --- a sleek, private, contained vessel that is a hundred percent safe. Or so he thought. Because now, Jamie has woken up to the Lion speeding down a dark road, the hood is dented (wait, is that blood?), and the car will not respond, or stop, or let him out. As the miles rack up and Jamie becomes increasingly complicit in his car’s choices, he is forced to face the tragic past he has kept buried.

Bree Wagner has spent her life behind the scenes --- as a ghostwriter, an aunt, and a woman scarred by tragedy. When her former best friend Miranda, now the wildly popular lifestyle influencer Randi F. Alexander, begs for help with her next book, Bree reluctantly agrees. It’s a chance to reconnect after 18 years of silence following a devastating accident in Amsterdam. But just as Bree steps back into Randi’s world, a viral misstep sends the influencer’s career into a tailspin. While Bree tries to steer clear of the spotlight and the toxic whirlwind of cancel culture, old secrets begin to surface --- ones that make her question everything she thought she knew about Miranda and their shared past.